That is a really good point about the pen vs pencil signatures. This will ensure it’s your art and increase the value of the print, which can also increase over time. There were two reasons for this: These reason may seem silly to you (because they are completely ridiculous, I know!) There is better clarity and crispness. We have discussed making the series a limited edition which I understand these would have an edition and the artist signature underneath the image. to be a TRUE REPRESENTATION of my original. Click on the image, International publication: three titles, three covers and its own Facebook Page (click the image to go there), Do you want to know more about watercolour painting? Most important sign your prints consistently the same way, in the same spot every time! Always sign your name with something permanent! Realised that it is called reproduction after reading through here.Q is how do I personalise it? to produce than the often hazardous, time intensive, toxic, expensive (because of all the other reasons) old school printing methods? It’s also common to put the title in parentheses or inverse commas. To call it a "limited edition", do I need to reclaim my screen after printing? I can't find a clear answer as to how to sign a monoprint. Giclees are archival and lightfast. Of course. The convention to maintain the distinction between these two different sorts of prints is that, limited edition fine art prints are signed and, unlimited reproduction prints are NOT signed outside the image in a way which mimics the limited edition print. Please feel free to comment on my Facebook Page as my blog posts are always posted there (but please note anonymous comments are not published and I block and report spammers to Google and on Facebook). (artist’s proof), "E.A." Is the first pull then 1/1 and the second is monotype/mixed media? I currently sell my work at a local farmer's market where no one cares if it's numbered or not, but I would like to apply to some juried art shows. For Example.three originals called "Circle Trio" painted in 2014 Acrylic on Canvas.I was thinking something like this:CIRCLE TRIO by Cassandra KnightOriginal Work: Acrylic on Canvas© 2014 Cassandra Knight All Rights Reserved. I have noticed at some of the markets there are artists selling cheaply made "art blocks" that have been mounted by machine: I am hesitant to continue calling my wood-block-reproductions-enhancements-moslty-made-by-hand "art blocks" since they are not cheap reproductions, and take me a considerable amount of time to create.I must admit, I am confused by what to call my "reproduced" and "partially reproduced" work.I'd like to avoid suggesting that my "prints/reproductions" are something they are not, but at the same time I'd like to use the proper terminology to describe them for what they are, and be able to market them correctly. Today, an Artist Proof is a good impression of the finished work that is identical to the numbered copies. These are not limited edition prints.Since I print each one myself, and then dry and cut them myself, what type of print is this?Also, do I sign the front? Discover (and save!) Many artists print 10-15% of the original edition, but at P. Buckley Moss, we print a quantity of 25 prints to be designated for use as Artist Proofs. Artist’s proofs can be identified by an “A/P” on the print, usually in the bottom-left corner. 16th October 2011 - Who's made a mark this week? An artist's proof is also known as a "comp" … Unauthorised use or inappropriate duplication of images or text without written permission is prohibited. "It seems to me that achieving a sensible distinction between limited editions of giclee prints and a hand-pulled fine art limited edition print is easier said than done." These prints are called artist proofs or épreuve d'artiste (French). These initial prints are called “Artist Proofs” and have roots in the early days of printmaking when artists used them to work out the color and quality issues of the prints. It's an edition of one print--but it is a print-- ...how do you label that? Some artists sign the back of the print and some don’t sign it at all. Do they have to be framed the same? The number sequence differs from the limited edition, as the number is preceded by the letter “AP”. I've also seen these crossed through after they've been actioned so they can't be sold.I guess they could be made part of the edition if they "work" to the required standard and then signed in the normal way.I'm not sure what you mean by variable proofs - ones that didn't quite work? I think this a monogram mosaic would work great though! Which art society exhibition sells the most works ... How do you define a "professional artist"? Basically that means leaving a link to your blog on a Blogger blog doesn't help it at all. It just feels a bit wrong. original digital creations) are themselves a complex animal to sign. I'm fairly new to prints, and really appreciate the thorough article! He also befriended a host of avant-garde writers, such as Max Jacob, Tristan Tzara, Antonin Artaud, André Breton and Paul Eluard. Identification. This is very helpful information, BUT, often when you do a monotype, there's enough to make one more (ghost image). I've been searching for over a month and gotten lots on everything but monotypes. Digitally Printed Paper. Sometimes the buyer will request that you sign your print in a … Goodness - that's a difficult one.I'm guessing this is going to need to be determined by how likely it is people will take the book apart so as to frame and/or sell prints separately.I'm thinking given the numbers it wouldn't be such a big deal to sign all the prints. Printing at a different size is a whole different edition. They are just using a printer to make exact reproductions of their original digital image. Since you suggest to sign with pencil but for these kind of medias it is not possible? Copyright is reserved on all images and text generated by Katherine Tyrrell on this blog and related sites. You can sign to the lower left, in the center or to the right. Great post Katherine. SINGLE. © Katherine Tyrrell 2005-20 You can BOOKMARK and/or LINK to any of my sites from your site. If you own a Terry Redlin limited edition, you should consider having the print professionally appraised and added to your insurance policy. Make sure you sign your print and not just the mat. P.P. The above woodcut by John Hall Thorpe appears to be an open edition print since it’s missing the edition numbers. This has resulted in some very impressive collections of prints owned by printmakers themselves. Or can you go out of order?Let's say you are not going to make more than 100 reproduction prints of one painting - which is what you seem to be suggesting you want to do.If you're creating giclee prints you can print as you go and many people do - however they are also very careful to call it a giclee print reproduction.4) What is to stop someone from buying a limited edition print, and reproducing it, essentially meaning there are more copies then you are stating?When making a fine art print, the convention is to break the plate at the end of the print run. Hi Tam - I'm sorry, I don't have any recommendations for you. I am in the process of printing my work for sale and my question is... if I print an 11x14 and then a 5x7 (as requested) do they number 1/200 and then 2/200 even if the sizes differ? It's done in pencil (not pen) close to the bottom edge of the print. however they shaped how I sign my prints, and now I will continue to sign them this way til I no longer make em. I do indeed and I'm not sure what the answer is. Thank you, Katherine! I am also adding a copyright statement.Do you have any insight? I feel I should write 1/1 in the left hand but I hate the way it looks in my writing and would prefer to leave it out as a monotype is a one off by definition but should I really anyway? For example, I have a few pieces where I've digitally removed the entire background and replaced it with wood grain. I am however, telling everyone they are giclee. The Redlin Art Center does not estimate or appraise the value of Terry Redlin’s prints. I re-use my screens, using different color inks and substrates with the same design. Especially if you make limited editions. That truly makes it a new artwork. Do they have to be printed on the same media? It doesn't mean they're worse. It should also be signed by the artist. Why the Smithsonian now owns paintings by Bob Ross - but few others do! Since we have only printed the artist proof, how do we go about making these a limited edition, and should we remove the signature and copyright from the digital work before printing? So, is it or is it not appropriate to sign and number these photo cards? Great care is taken to ensure color fidelity if you're using a legitimate foundry. There are a few less common marks that can also be found on the bottom left side under a print such as, A/P which means artist proof, or T/P which means trial proof that are good to be aware of, but I would worry too much unless you are a serious printmaker. Or can you go out of order?4) What is to stop someone from buying a limited edition print, and reproducing it, essentially meaning there are more copies then you are stating? Maybe you'd like to reread what I actually did say?Also it is necessary to recognise that the same term 'giclee prints' is used for everything from the professionally produced quality mastered prints to those produced by amateurs using a home printer. This month the Making A Mark Poll is about. People are getting confused with what you wrote because the term "Fine Art Print" is typically used interchangeably with "Giclee" in the industry, when it fact one usually only uses the plating method of a Fine Art Print when one has created a DIGITAL painting or a straight-up original, physical print with plates from scratch, and there IS no "original" to base it off of. Of course as you indicate I need to decide on number of edition and the size of the prints previously. Why I would like to choose metal print instead of paper because in some of my works metal print works better to show up the design itself. Thanks, Cecca :-). Please respect the copyright of all artists featured here. But I'm toying with limited editions, and plan to number them on the print near the title as you would an etching or similar: 1/20 etc.I don't believe you devalue the print by using the image in cards and other products. The edition number is usually in pencil in the margin. I really did not like how my prints looked framed up with a white boarder around them. The art print market is one where signatures count for a lot, and hundreds of artists have gotten on the bandwagon. If I reuse a screen, but with a different color ink than the previous printing, is that a new edition or an extension of the first? :)Thank you!www.frosted-feathers.com. Here again, fractions may be used to indicate the total number of proofs, and the print number (e.g. Signing a giclee print has fewer guidelines which creates a wide variety of options for signing these prints. (Occasionally artist who do not made editions will sign their title more to the bottom left side of the print. Thanks very much,Dolores. Since the printer's and artist's proofs are almost identical to the limited edition and run at the same time, they usually are no more or less valuable. My NEW website offering advice and information about the art business - for artists (NEW content added regularly), Click the image to learn more about the business of being an artist, Resources about botanical art past and present for botanical artists and illustrators of today and tomorrow, Do you want to learn about how to draw and paint botanical art? They might be allowed to truly sell unlimited reproductions. Taking the time to learn more about the history of a particular printer studio or publisher can enhance one’s appreciation of the process and even provide inspiration for a collection’s direction. Subscribe and receive every post from Making A Mark via email. The label 'monotype' justifies having only your signature on it. This is not to say that signed prints have intrinsic value only to the autograph hound. Would a certificate help support that? I wouldnt sign them either if I could get away with it but I realise its important and I want people to know its my work. I'm not quite sure I'm understand what you mean by "I have really lovely 4x6 photos which I want to use on limited editions of photo cards"Are you making cards out of photos or cards out of artwork which has been digitally printed onto photo paper? I'm also making a series of monotypes. My posts are often long with lots of images. Sometime this alone can settle copyright disputes. Don't use semi-matte paper - and always make sure you can sign a paper before placing an order? 30th October 2011 - Who's made a mark this week? Should I sign each print in one book with the same #/7 (title) (signature), or just sign the first page in the book, or is there a completely different method for a book of prints? I have some questions:1) Say you have an original painting, and you are making limited edition prints. These ones are popular. If I am clear about my intention now I would like to repeat my question; how should I sign them ? Should I have both the original signature (from the painting scan), as well as a print signature on the front, or just one signature, or none?I have tried to find this information online, and this is the best post I have come across about it, however I am still unsure how and if I should be signing the front. When matting a hand-pulled print it’s important to always leave at least 1/4 inch space or more around the entire print. Hi, this is something I haven't been able to find an answer for anywhere online and I'm hoping you can help?I'm currently producing a limited edition artists book of hand pulled screenprints and I'm not sure how to edition them. So people understand why I'm charging more!My understanding is that any limited edition refers to the particular dimensions of the print. Lithograph 3. I want EVERY. (Poll results). I've seen renowned artists signed artist's proofs and they've either had AP or Artist's proof after the signature. I spent many dedicated days a week making these "prints" and it is a large part of my business. By using this website, you consent to the processing of data about you by Google in the manner and for the purposes set out above. I've noticed on some prints that there is text which can be framed in or matted out should the purchaser wish to do so. A giclee print can be plagiarised very easily whereas it's much more difficult to plagiarise a strictly limited edition fine art print eg an etching, lithograph, linocut etc etc etc. Similar to an artist’s proof, this proof was set aside from the editioned prints. Wait for your print to dry completely, and then place it on a clean, flat surface. I have found a beautiful 5/7 white embossed watercolor cards that are used for photo prints. ), Limited Editions are to be marked on the bottom left side of the print just below the printed image, and are most commonly marked like a fraction. Below is another label, which was generated on a computer, and then initialed by him to show proof it’s his work.